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内容説明
Steve Rogers races against time to uncover the international conspiracy that trapped his ex-partner in a web of intrigue and lies. Meanwhile, Bucky Barnes fights for his life in a Russian Gulag. With everybody gunning for Bucky and Steve fighting the clock, is there any hope for either of these two Super-Soldiers? Collecting CAPTAIN AMERICA
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
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3件のカスタマーレビュー
3 人中、3人の方が、｢このレビューが参考になった｣と投票しています。
Another good episode
2011/9/2
形式:ハードカバー
This volume of Captain America follows on from the previous volume - The Trial of Captain America - and reprints issues 616-619 of the current captain America comic book.
For those who came in late, Bucky Barnes, Captain America's partner during World War 2, presumed dead in the explosion that put Cap in suspended animation until modern times, was actually rescued by a Russian submarine, and put into suspended animation. Brainwashed and brought out every now and then as an assassin - the Winter Soldier - he was finally able to escape control, and after the death of Steve Rogers, he took on the role of Captain America. After Steve Rogers returned from [spoilers], Bucky continued in the role. Bucky has since been working through his issues, assisted by the Black Widow (who apparently went to the same school for assassins, but somehow forgot to mention it during her time in the Avengers and SHIELD), Commander Steve Rogers (he's been promoted since he died) and Sharon Carter (who also is no longer dead). Bucky's past as the Winter Soldier has since been made public, and he has stood trial for his actions.
The Russians extradited him at the end of the previous volume, for the same past crimes, and this volume relates his life in a Russian prison, where he meets up with a number of failed Russian villains from Marvel history. He can't escape, as he would then become a criminal in the eyes of the USA and the Avengers (read the book), so he has to endure the various plots he uncovers. Meanwhile, in a parallel storyline, his friends in the USA are digging in to the Russian charges against him, but with a noticeably different artist (or inker) from the main(?) storyline, which has the usual high quality of artwork. Steve Rogers comes under increasing pressure to take up the shield again, but manages to resist for now. Eventually the two storylines merge in the climax, and leads us on to the next volume...
There are also a number of `back-up' stories by various artists and writers, gathered together at the back of the book, including work by Howard Chaykin and Paul Grist (see his Jack Staff Volume 1: Everything Used To Be Black And White for his unofficial take on the Invaders!). These are excellent but unrelated to the main story - and may be there to remind people who have dropped in as a result of the film publicity just who Captain America really is.
For those who came in late, Bucky Barnes, Captain America's partner during World War 2, presumed dead in the explosion that put Cap in suspended animation until modern times, was actually rescued by a Russian submarine, and put into suspended animation. Brainwashed and brought out every now and then as an assassin - the Winter Soldier - he was finally able to escape control, and after the death of Steve Rogers, he took on the role of Captain America. After Steve Rogers returned from [spoilers], Bucky continued in the role. Bucky has since been working through his issues, assisted by the Black Widow (who apparently went to the same school for assassins, but somehow forgot to mention it during her time in the Avengers and SHIELD), Commander Steve Rogers (he's been promoted since he died) and Sharon Carter (who also is no longer dead). Bucky's past as the Winter Soldier has since been made public, and he has stood trial for his actions.
The Russians extradited him at the end of the previous volume, for the same past crimes, and this volume relates his life in a Russian prison, where he meets up with a number of failed Russian villains from Marvel history. He can't escape, as he would then become a criminal in the eyes of the USA and the Avengers (read the book), so he has to endure the various plots he uncovers. Meanwhile, in a parallel storyline, his friends in the USA are digging in to the Russian charges against him, but with a noticeably different artist (or inker) from the main(?) storyline, which has the usual high quality of artwork. Steve Rogers comes under increasing pressure to take up the shield again, but manages to resist for now. Eventually the two storylines merge in the climax, and leads us on to the next volume...
There are also a number of `back-up' stories by various artists and writers, gathered together at the back of the book, including work by Howard Chaykin and Paul Grist (see his Jack Staff Volume 1: Everything Used To Be Black And White for his unofficial take on the Invaders!). These are excellent but unrelated to the main story - and may be there to remind people who have dropped in as a result of the film publicity just who Captain America really is.
2 人中、2人の方が、｢このレビューが参考になった｣と投票しています。
"Captain America" arrives at a turning point.
2011/8/22
形式:ハードカバー
Ed Brubaker took charge of "Captain America" in 2005 and immediately launched the "Winter Soldier" story arc that revitalized the property and led to years of stories that have continued to keep the title at the apex of the superhero form. Of Brubaker's numerous innovations to the title, none has been more significant than the return of Bucky and his lengthy bid to escape the tortured past. "Prisoner of War" follows up on "The Trial of Captain America", the preceding volume, and continues Bucky's arc; readers' impressions of it will doubtless also be informed by the events of "Fear Itself", the event the follows, which suggests enormous changes for the title's future. The volume collections issues 615 to 619 of the ongoing series. Spoilers follow.
At the end of the previous volume, Bucky resolved his issues with the American courts, only to be informed that he had been tried in absentia for crimes committed in the former Soviet Union while he was the brainwashed assassin Winter Soldier. Shipped to a Russian penal facility (this detail is a bit of a hard sell, admittedly), Bucky finds himself fighting for his life against fellow prisoners, overseen by a warden with a mysterious agenda (of course). Meanwhile, in a parallel and ultimately converging story, Steve Rogers, Sharon Carter, and the Black Widow investigate the circumstances of Bucky's conviction, and the possible conspiracy that is in the works against him. It's all very competently-handled action, with Brubaker's expectedly strong character work.
There are a mix of artists present on this arc. Bucky's segments are done by a number of artists, including Mike Deodato and Butch Guice; the segments with Steve and the others are mostly handled by Chris Samnee. And this volume includes a number of additional stories from issue #616 by other artists (and, in a few cases, other writers) to celebrate Captain America's 70th anniversary. The art on the main stories are all very well-suited to the property, as you would expect given its track record. With "Fear Itself" and the launch of a new "Captain America" title alongside the renamed "Captain America and Bucky", this is looking to be the beginning of a significant new era for Brubaker's run. I anticipate what comes next.
At the end of the previous volume, Bucky resolved his issues with the American courts, only to be informed that he had been tried in absentia for crimes committed in the former Soviet Union while he was the brainwashed assassin Winter Soldier. Shipped to a Russian penal facility (this detail is a bit of a hard sell, admittedly), Bucky finds himself fighting for his life against fellow prisoners, overseen by a warden with a mysterious agenda (of course). Meanwhile, in a parallel and ultimately converging story, Steve Rogers, Sharon Carter, and the Black Widow investigate the circumstances of Bucky's conviction, and the possible conspiracy that is in the works against him. It's all very competently-handled action, with Brubaker's expectedly strong character work.
There are a mix of artists present on this arc. Bucky's segments are done by a number of artists, including Mike Deodato and Butch Guice; the segments with Steve and the others are mostly handled by Chris Samnee. And this volume includes a number of additional stories from issue #616 by other artists (and, in a few cases, other writers) to celebrate Captain America's 70th anniversary. The art on the main stories are all very well-suited to the property, as you would expect given its track record. With "Fear Itself" and the launch of a new "Captain America" title alongside the renamed "Captain America and Bucky", this is looking to be the beginning of a significant new era for Brubaker's run. I anticipate what comes next.
3 人中、2人の方が、｢このレビューが参考になった｣と投票しています。
Beware of filler!
2011/12/25
形式:ハードカバー|Amazonが確認した購入
I was eager to read this graphic novel because I wanted to see what happened next with Bucky Barnes. The main story follows Bucky's tribulations in a Russian Gulag that happens to house a lot of Russian super criminals put there by the Winter Soldier. Since Bucky spends the entire storyline in prison garb and Steve Rogers is trying to decide weather or not he should resume being Captain America, so there's no actual Captain America in this Captain America story. Still, the story benifits from above average writing and solid art work.
But...
This book is about 1/3 filler. The main story takes up the first 2/3 of the book and the remaining 3rd is a series of unrelated (and for me un-interesting) Captain America short stories. I wasn't crazy about the stories or the art. One story was set in WWII with Captain America getting bitten, and infected, by a vampire. The art work on this was so bad I didn't bother finishing reading it even though it was only a few pages long. When I say the art was bad on this story I mean is was Hannah-Barbera bad. Captain America and Namor look about as muscular and imposing as Shaggy from Scobbie Do.
I wish Marvel would skip the filler stories and limit their graphic novels to the main storyline.
But...
This book is about 1/3 filler. The main story takes up the first 2/3 of the book and the remaining 3rd is a series of unrelated (and for me un-interesting) Captain America short stories. I wasn't crazy about the stories or the art. One story was set in WWII with Captain America getting bitten, and infected, by a vampire. The art work on this was so bad I didn't bother finishing reading it even though it was only a few pages long. When I say the art was bad on this story I mean is was Hannah-Barbera bad. Captain America and Namor look about as muscular and imposing as Shaggy from Scobbie Do.
I wish Marvel would skip the filler stories and limit their graphic novels to the main storyline.
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