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The problem with this book, however, is that the quality of the knitted models varies from great to just awful. I would never have let some of those photos see the light of day, let alone the pages of a book. Knitting boo-boos jump out of the page such as uneven motif joins in intarsia, bulgy and uneven increasing above the ribbing and other amateurish-looking knitting that would have a competent knitting editor shouting naughty words. Another problem is the reliance on Rowan yarns, which are expensive and go out of production rapidly. If you want to reproduce these styles exactly, in the colors and weights of yarn specified, you may find yourself on a wild-goose chase. And the yarns used are often cotton. Now, cotton is able to be dyed in deep and bright colors, and the sheen on a mercerized cotton yarn lends a brilliance to knitting that a matte wool cannot achieve. But knitting intarsia (a technique where yarns are knitted in independent color zones and linked on the wrong side with a twisting method) is incredibly difficult to do with cotton. This is because cotton drapes and does not adapt to fill gaps in tension variations. Wool is forgiving in this matter and the fuzzy surface also hides knitting flaws. With cotton yarns, the inevitable variations of hand knitting are magnified, though master knitters can compensate. If you are not experienced in intarsia, let me tell you that a horrific experience awaits you if your first attempts are with cotton yarns. So be forewarned. If you don't believe me, look at the "Olives" sweater which sadly illustrates the difficulties that even an experienced knitter can have with cotton and intarsia. Tragic.
The sweater shapes in this book do vary from the wide and loose Fassett style (that does not always flatter the wide and voluptuous among us) and there are slimming v-necks and nicely done tunics. That's good. There are many design ideas here that are interesting and attractive, as well as some good colorways. However, other color choices were garish and muddy-looking.
So, if you like the Fassett style and are looking for more inspiration, you may find it here. But the uneven quality and the fact that many of these styles were previously published in Rowan books elsewhere, limit the value of this book.
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