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よく一緒に購入されている商品
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内容説明
The timeless classic on drawing human figures is back! Following impressive runs by Sterling's previous editions comes a new, redesigned version of George W. Bridgman's landmark work. It combines six well-known books by the celebrated artist and lecturer, who taught figure and anatomy drawing for many years at New York City's Art Students League. This edition preserves Bridgman's lessons and original sketches, but now features a nostalgic, eye-catching cover that distinguishes it from the competition. In its sleek new format, this comprehensive guide will certainly continue its reign as one of the premier figure-drawing publication of all time.
Book Description
"...the return of a classic...Bridgman was a legendary teacher at New York's Art Students' League. There he originated a system of drawing known as 'constructive anatomy.' In 1952, his seven books on anatomy were gathered into one volume, which became a standard work at art schools and universities. Published now, for the first time in paperback, it holds up as an indispensable volume with more than 200 illustrations of hands and hundreds of images of arms, shoulders, heads, torsos, legs, knees, and feet."--Library Journal.
--このテキストは、 ペーパーバック 版に関連付けられています。
--このテキストは、 ペーパーバック 版に関連付けられています。
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
39件のカスタマーレビュー
84 人中、81人の方が、｢このレビューが参考になった｣と投票しています。
Not for beginners!
2003/2/11
形式:ペーパーバック
You MUST have an in-depth knowledge of the human anatomy (particularly the bones and muscles) before you buy this book. I bought this book on the account of the previous reviewers who I assume (just now, unfortunately) are professionals or fine-arts students. Most of the analysis refers to scientific names of bones and muscles. I understand this is a good thing BUT most of the time, there are either (1) no visual references to these bones and muscles on the page where the analysis is made (i.e. sometimes you have to move forward a few pages to determine what is being discussed) or worst, (2) there are no visual references at all. I don't blame the author considering this book is a compilation of his individual works which may have been complete unto themselves. I blame the publisher for not taking the time and effort to add value to the book by labeling the visuals themselves (perhaps by asking Mr. Bridgman's former students to do it for them) and for making sure the pages are in the correct order. I get the feeling this book was hurried out of the press.
I have downloaded Mr. Loomis book "Figure Drawing for All It's Worth" and if you're a beginner like me, it's a better deal (heck, it's free) because the text are clearer and the visuals cleaner. Please consider my rating a beginner's gauge rather than a professional's or a fine-arts student's.
I'll just probably use this book as a visual reference rather than a self-study guide...
38 人中、37人の方が、｢このレビューが参考になった｣と投票しています。
One of the best books in figure drawing & how I use it.
2001/10/4
形式:ハードカバー
In my opinion, perhaps it is best to review this book in two aspects: a) what & how they are covered in the book and b) how I use this book.
WHAT & HOW THEY ARE COVERED IN THIS BOOK: This book covers every part of a human body and how to draw them. These include proportions, balance, light & shade, head, torso, arm, hand, pelvis, leg, foot, and drapery. Not only does each section show how to draw these human organs, their anatomical aspects are also discussed in sufficient detail. Illustrations are drawings by the author, going from simplified to realistic expressions of the organs. Movement, gesture, and balance are the most useful and interesting aspects discussed for each organ as well as for the whole body. These aspects are usually not as clearly covered in other anatomy books as in this one. This is a special strength of this book compared to others.
HOW I USE THIS BOOK: Although the approach I use to do life figure drawing is more like that described in "The Artist's Complete Guide to Figure Drawing : A Contemporary Perspective on the Classical Tradition" by Anthony Ryder (also read my review on this book), this book is valuable to me for the following reasons:
- Certain poses that are impossible to set sufficiently long for a detailed rendition, either due to their complexity or time restraint, that a live model cannot maintain. In this case, quick sketches or incomplete drawings are done from a live model; the rest will be done based on an understanding of human anatomy. This is when this book becomes a big help.
- Even when drawing from a life model, certain features are not clearly visible or existent in the same model. For instance, a beautiful face does not always come with an ideal body proportion. Obviously, in the final painting using a model, it is sometimes the artist's job to figure out what to use from the model and what to implement from an understanding of human anatomy. In my opinion, it is dangerous to "invent" what you don't see in your painting, since they will appear unnatural. However, to diminish this risk, a good understanding of human anatomy is a powerful tool to the artist for this task. This book is a good and reliable companion for me to tackle this difficult task when it comes to anatomy.
To keep it short, I'd like to say that, "I don't read this book. I STUDY IT."
STRONGLY RECOMMENDED.
24 人中、24人の方が、｢このレビューが参考になった｣と投票しています。
A highly comprehensive Bridgman book- great in drawing from memory...
2006/3/26
形式:ハードカバー|Amazonが確認した購入
Mainly for intermediate-level artists- it's a highly *comprehensive* way to appreciate Bridgman's work.
It has a little bit of everything depicting figure construction from memory. It's also great for general improvement; a few tips & tricks- an in-depth reference for all working artists.
This somewhat large-sized Complete Guide seems to represent the best of 6 out of his 7 individual books. Drawing the Female Form is the book that gets left out. Compiled & designed by editor Howard Simon in 1952; Bridgman passed away in 1943, so it's not Bridgman's fault if anyone has issues with the layout(!).
Here's a quick breakdown of his 6 individual books, from my very favorite to least...
1. Book of a Hundred Hands- His *best* representation of hands; if hands are your main interest, skip all else & buy 100 hands.
2. Constructive Anatomy- His clearest & most detailed line work in his figure anatomy- especially with his cube-based construction of the head.
3. Bridgman's Life Drawing- Like a mini Complete Guide, it's often considered Bridgman's best individual book. It gives us full-figure movement, as well as briefly treating the figure in its essential parts.
4. Heads, Features and Faces- Great for beginners; it isn't in-depth, and it isn't nearly overwhelming like this Complete Guide.
5. Human Machine- Genius in concept- drawings exceedingly sketchy. These are the sketchiest drawings in this Complete Guide.
6. Drawing the Draped Figure- *Very* basic. Everything you need from this exceedingly thin book is included in this Complete Guide.
In short- The basic point of Bridgman's Complete Guide is to help people to draw figures more convincingly, and even from memory. To a great degree, at least in my opinion, this book still succeeds in a very effective way...
P.S. This book is definitely *not* for beginners! Only *intermediate-level* artists need apply. For beginners, I highly recommend getting Drawing the Head and Figure by Jack Hamm.
P.P.S. Even though I give this Complete Guide 5 stars based on its content, presentation-wise I actually & usually prefer using Bridgman's original, smaller-sized works. People looking for a great financial deal might want to check out The Best of Bridgman: Boxed Set. It's basically three of his best, original books at a currently reduced price.
It has a little bit of everything depicting figure construction from memory. It's also great for general improvement; a few tips & tricks- an in-depth reference for all working artists.
This somewhat large-sized Complete Guide seems to represent the best of 6 out of his 7 individual books. Drawing the Female Form is the book that gets left out. Compiled & designed by editor Howard Simon in 1952; Bridgman passed away in 1943, so it's not Bridgman's fault if anyone has issues with the layout(!).
Here's a quick breakdown of his 6 individual books, from my very favorite to least...
1. Book of a Hundred Hands- His *best* representation of hands; if hands are your main interest, skip all else & buy 100 hands.
2. Constructive Anatomy- His clearest & most detailed line work in his figure anatomy- especially with his cube-based construction of the head.
3. Bridgman's Life Drawing- Like a mini Complete Guide, it's often considered Bridgman's best individual book. It gives us full-figure movement, as well as briefly treating the figure in its essential parts.
4. Heads, Features and Faces- Great for beginners; it isn't in-depth, and it isn't nearly overwhelming like this Complete Guide.
5. Human Machine- Genius in concept- drawings exceedingly sketchy. These are the sketchiest drawings in this Complete Guide.
6. Drawing the Draped Figure- *Very* basic. Everything you need from this exceedingly thin book is included in this Complete Guide.
In short- The basic point of Bridgman's Complete Guide is to help people to draw figures more convincingly, and even from memory. To a great degree, at least in my opinion, this book still succeeds in a very effective way...
P.S. This book is definitely *not* for beginners! Only *intermediate-level* artists need apply. For beginners, I highly recommend getting Drawing the Head and Figure by Jack Hamm.
P.P.S. Even though I give this Complete Guide 5 stars based on its content, presentation-wise I actually & usually prefer using Bridgman's original, smaller-sized works. People looking for a great financial deal might want to check out The Best of Bridgman: Boxed Set. It's basically three of his best, original books at a currently reduced price.
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