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商品の説明
From Publishers Weekly
Greer has made a career of the controversial polemic, most explosively in the 1970s with The Female Eunuch, brazenly arguing for women's sexual liberation. Decades later, the Australian-born sensualist seeks to redress another wrong: heterosexual women's insensitivity to the boy as sexual object. Considering the utter fetishization of contemporary youth culture, it's difficult to sustain the argument that nubile lads are being neglected. But the present day isn't the volume's strength; the most modern icons include Elvis, Boy George, Kurt Cobain, Jim Morrison and Robert Plant-nary a boy band member. The more compelling passages investigate shifting representations in classical art-Cupid first depicted as sly aggressor, seducing his own mother, only to be desexualized in the more restrictive 19th century, conveniently cloaked by a drape or angel wing. Except for a final chapter that glosses over the works of female artists, Greer hardly plunges into her initial aim "to advance women's reclamation of their capacity for and right to visual pleasure." What does it mean for women to sexualize dewy, girlish boys created by male artists? To swoon over Caravaggio's provocative urchins, Michelangelo's languorous Dying Slave or Eakins's supple-skinned bathers? It's not clear, but then nuance has never really interested Greer. Short on argument but long on lush reproductions of languid young men, the collection is better viewed than read. 200 color and b/w photographs and illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Germaine Greer is a writer, academic, and broadcaster whose most famous book, The Female Eunuch, was first published in 1970 and became one of the most widely read books of the baby-boom generation. Her many subsequent books include works on women writers and painters; the politics of fertility and aging; and The Whole Woman (1999), which takes stock of the current situation of the feminist movement.
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