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商品の説明
内容説明
Originally a royal court dance, "baakisimba" asserted the authority of the king as the head of Baganda society. After the abolition of kingship in 1967, "baakisimba" dance began to be performed in other contexts, with women sometimes playing the accompanying drums - traditionally a man's role - and with men occasionally performing the dance. Integrating a study of this performance genre with a detailed analysis of gender among the Baganda, this book illuminates the complex relationship between "baakisimba" and Baganda culture.
著者について
Sylvia Nannyonga-Tamusuza is a lecturer in the Music Department at Makerere University, Uganda. She has published several essays on gender, music, and dance. Her research interests also include children's music and musical competitions.
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Whenever my music teachers at Makerere College School (1981-1987) announced that baakisimba was the next item on the rehearsal list, the boys ran for the drums, while the girls struggled for the best dance skirts and skins. 最初のページを読む
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Whenever my music teachers at Makerere College School (1981-1987) announced that baakisimba was the next item on the rehearsal list, the boys ran for the drums, while the girls struggled for the best dance skirts and skins. 最初のページを読む
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