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商品の説明
内容説明
This lively study unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on the representation of black femininity. Stephane Dunn explores the typical, sexualized, subordinate positioning of women in low-budget blaxploitation action narratives as well as more seriously radical films like Sweet Sweetback's "Baadasssss Song" and "The Spook Who Sat by the Door", in which black women are typically portrayed as trifling "bitches" compared to the supermacho black male heroes. The terms "baad bitches" and "sassy supermamas" signal the reversal of this positioning with the emergence of supermama heroines in the few black action films in the early 1970s that featured self-assured, empowered, and tough (or "baad") black women as protagonists: Cleopatra Jones, Coffy, and Foxy Brown.
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"Interesting premise"
2009/3/14
形式:ペーパーバック
Dunn is the first author to examine blaxploitation movies and African American actresses contributions to this genre. Her premise is original--that sassy supermamas were the mothers of today's hip hop artists like Lil Kim and Foxy Brown and that Grier and Dobson's characters represented empowerment and independence. Leaving aside the colloquisms that dominate the book, Dunn writes in an accessible style. It is about time that for a book to appear about Pam Grier and Tamara Dobson, the original sassy supermamas as Dunn's title suggests.
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