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These fourteen stories are jewels of prosody. Delany is a true writer, not just a genre writer. The Star Pit deals with a father who has lost his son in a war and comes to terms with it by transferring affections to odd young people with psychic powers. Driftglass is the story of a failed underwater power worker and his struggle as he watches a young power worker relive his mistakes. The twist is that these people are all fitted with gills to do their work. We in Some Strange Power's Employ tracks the tale of workers for an international power conglomerate who must force modern power on a group of free anarchists. Each of these wonderful stories use the technological aspect of science fiction, not as an end in itself, nor as color, but as a central symbol for the psychological states of the characters. The large "ecologarium" (a sort of technologically advanced ant farm) in the Star Pit ends up as a symbol for the impossibility of humans to leave their own galaxy. The horrible prison of Cage of Brass mirrors the darkness of the main character's murderous psychosis.
Delany's grasp of prose is a miracle. The surreal shifts of perspective in Among the Blobs is masterly, as the narrative moves from the seedy toilets of the IRT to some universal Governmental system on a far away planet, the perspective shifts dizzily and yet it is always clear. The haunting Martian fantasy Ruins also manages to show us a character loosing his grasp on reality, without descending into the incomprehensible. And the word painting in so many of these stories is exquisite. Delany is a joy to read.
This collection of stories works both as an introduction to the writer, but also are enjoyable to those who know the writer. And if you are not a fan of science fiction, they are still highly recommended. For these stories transcend genre and touch universal human themes.
Most of the pieces in this book fall firmly in the science fiction genre, although I consider a couple to be fantasy. Delany's locales range from cities on Earth (Venice, New York) to worlds beyond our solar system.
Delany's stories are both triumphs of science fiction inventiveness and exquisite works of literary art--as well as being compassionate yet unflinching explorations of the human condition. His vision is richly ironic, and often tragic. His prose can be hauntingly beautiful to read--he is a particular master of visual description.
Delany's explorations of emergent subcultures and institutions in many of these tales give the book an intriguing sociological aspect. His topics include crime, punishment, sexuality, loss, suffering, culture clash, space travel, and the fabric of consciousness and reality.
The remarkable title story is a look at the emergence of a new sexual orientation and its related subculture in the context of expanding technology. "Driftglass" looks at a class of physiologically altered humans. "Omegahelm" is a shocking, fascinating story about motherhood and art. These are just a few examples of Delany's fertile mind. I consider Delany to be a unique and essential voice in the science fiction canon; this collection of his short fiction is a volume to be savored and shared.
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