Angels and Insects [ペーパーバック]

Although this novella really encompasses two distinct stories, my comments focus on Morpho Eugenia, my favorite of the two, and, in my opinion, by far the superior.

Set more than a century ago, in Victorian England, Angels and Insects (Morpho Eugenia) follows the life of William Adamson, a naturalist who has spent years of research in the jungles of South America.

A shipwreck sends him to the home of his benefactor, the Reverend Harald Alabaster, an amateur insect collector of enormous wealth.

Upon arriving at Alabaster's sumptuous country estate, poor William instantly falls in love with Alabaster's eldest daughter, Eugenia, a weak and wan, but still golden, beauty.

Although Eugenia appears to be out of his reach, William embarks upon a shy courtship and is more than a little surprised when his proposal of marriage is accepted. And, on their wedding night, the usually distant, aloof and somewhat mysterious Eugenia has even more surprises in store. Surprises William soon comes to savor.

Complicating matters is Eugenia's brother, a socially misfit snob who takes an instant dislike to William and talks incessantly of children who grow up sans the proper breeding...breeding poor William's genes cannot provide, of course.

Eugenia, herself, soon begins to show a darker side as her mood swings from lustful to ravenous to passionate to melancholy. Feeling a bit over his head in this baronial estate, William begins to experience somewhat of an attraction to his drab and dull, but very intelligent, assistant.

Angels and Insects is a fascinating book and, as always, Byatt lets us become intimately involved with her characters.

The real triumph though, lies in the book's symbolism. The Victorians were fascinated with the insect world and Byatt uses this fascination to refect the social order of the times: the women are doted on by servants as if they were queen bees and colonies of ants mirror the red and black jackets worn during a fox hunt.

Angels and Insects takes a fascinatingly intimate look at the quirkiest of families, one whose secrets and prejudices simply cannot be dismissed.

It is William's drab assistant who sums up the book's theme. "There are three kinds of people in this house: the visible, the invisible and the in between." Angels and Insects is a lyrically sensual portrait of the fascinating world of the in between.

"Morpho Eugenia" introduces us to a young naturalist named William, who until recently had been studying insects in the Amazon. He was shipwrecked, then rescued by the wealthy Alabaster family. While continuing to study butterflies, he marries the beautiful eldest daughter Eugenia and for a time, lives the good life. The only problem is that unknown to him, Eugenia is wrapped up in a lifelong tangle of obsession and incest.

"The Conjugial Angel" introduces us to a group of mediums who gather to call up spirits. Mrs. Papagay is still in love with the dead Arturo. Emily mourns her dead lover, immortalized in her brother Alfred Tennyson's "In Memoriam" -- except she has married again. Now she struggles with her past emotions, her present doubts, and her longing to communicate with her love again.

As in her prior works, Byatt's writing is almost dizzily lush. She has a good sense of detail, describing ribbons, moths, butterfly wings, and the flames of gaslights. But pretty words are not all that Byatt has to offer -- she makes use of poetry (her own, and that of others), Darwinism and religious faith, Swedenborg, a family whose opulence covers their decay, and the nuances of love. Not to mention the dialogue: Eugenia's rambling explanation about her relationship with her brother is chilling.

Perhaps best of this collection is that Byatt has a fantastic grasp on period descriptions and dialogue -- it all sounds like a novel from the 19th centuy, with the polish of a modern book. Which is not to say that "Angels and Insects" is perfect. Byatt spends a little too much time on the moths and too little on the Alabaster family. And she's not at her best in "Conjugial Angel," which lacks the punch of the first novella. It's moving at the end, but takes awhile to get there.

Delving into such topics as survival of the fittest, poetry and love, Byatt produces a solid pair of novellas written in her usual sensuous prose. Despite some flaws that bog it down, this is a unique read.