- ペーパーバック: 496ページ
- 出版社: Museum of Modern Art; New版 (1991/3/18)
- 言語: 英語
- ISBN-10: 0870706810
- ISBN-13: 978-0870706813
- 発売日： 1991/3/18
- 商品パッケージの寸法: 27.7 x 24.1 x 2.5 cm
- おすすめ度： この商品の最初のレビューを書き込んでください。
- Amazon 売れ筋ランキング: 洋書 - 455,238位 (洋書の売れ筋ランキングを見る)
Andy Warhol: A Retrospective (英語) ペーパーバック – 1991/3/18
Andy Warhol first found success as an award-winning commercial artist in New York. He soon put the commercial techniques he learned as an illustrator to work in his now-famous studio, dubbed the "Factory." Appropriately enough, the artist once said, "I want to be a machine, " reiterating the commercial, serial themes displayed in his paintings. Surrounding himself with a notorious coterie of assistants - from drifters and junkies to musicians and "poor little rich kids" - Warhol installed himself in his Factory, which itself quickly became New York's most famous counter-culture nucleus. Ghostly pale and silver-wigged, Andy Warhol has become an icon himself, an impenetrable enigma who became one of the most singularly identifiable figures of the turbulent sixties. And while Warhol's work may be best known for its stark reflections of popular and commercial culture, the artist did not hesitate to explore some of the more sinister traits of his era - from war and criminality. His grainy images of highway accidents and his serial panels of the handgun or the electric chair seem to drown emotion while at the same time recovering some of the shock power lost in the media's trivialization of disaster. Warhol's work has been called both naive and sophisticated, thought-provoking and mindless, superficial and profound, and the furor he created refuses to die down - more than a decade after the artist's death. This book explores the paradox of Andy Warhol's life and work with flair and intelligence and brings all the vibrance, humor, and genius of his work into full view. --このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
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It seems helpful in understanding his growth to see some of Warhol's less appealing works. Nonetheless, with a total of about 320 pages of images, there are still plenty of Warhol's bettter works to see here.
Four high-quality, significant essays about Warhol open this book. The closing includes a chronology, a "collective portrait" consisting of short contributions from many who knew Warhol well, and "Warhol in his own words", selections that reveal how insightful yet straight-forward Warhol could be.
This seems to be the single best bible of Warhol's paintings. There is a comprehensive collection of Warhol's prints available in "Andy Warhol Prints: A Catalogue Raisonne: 1962-1987" which seems prettier but may suffer from excessive prettiness. Warhol's trashier aspects are not apparent, nor is his experimental reach, in the prints. Both books have their appeal, but as a one source collection of Warhol's painting and critical assessments of it this Retrospective seems unparalleled.
For a good exposure to Warhol in all his diversity, "Andy Warhol: 365 Takes" by the staff of the Andy Warhol Museum is also valuable, but to focus on the paintings, this retrospective seems ideal.