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商品の説明
内容紹介
This classic book, whose foremost author was one of the great artistic anatomy teachers of the twentieth century, is an invaluable instructor and reference guide for any professional, amateur, or student artist who depicts the human form.
Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.
Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.
著者について
Robert Beverly Hale was America’s best-known teacher of figure/anatomy drawing during his long years as an instructor at the Art Students League and other fine institutions. The late master also curated American paintings and sculpture for the Metropolitan Museum of Art.
Terence Coyle, an artist and respected teacher whose work is exhibited often and included in many notable collections, homes in New York and Stockbridge, Massachusetts.
Terence Coyle, an artist and respected teacher whose work is exhibited often and included in many notable collections, homes in New York and Stockbridge, Massachusetts.
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
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5つ星のうち 4.2
20件のカスタマーレビュー
20 人中、19人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 5.0
Stop wasting time and buy it!
1999/12/4
By カスタマー
- (Amazon.com)
形式:ハードカバー
This is the best book you can find if you want to learn about how to sketch the human figure. Buy it and start copying the sketches inside. Over and over again! Imitating the old masters will teach you things you never dreamed of and will rub off on you when you do your own work. This book has excellent reproductions of 100 super drawings. Each drawing even has accompanying commentary. By the time you're done, you will understand like never before why the drawings work, and you will be able to look at other drawings and understand them better, as well. Stop wasting time reading this review...BUY THE BOOK!
41 人中、35人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 2.0
Over-worked pseudo-intellectualized error-packed compendium
2000/12/18
By カスタマー
- (Amazon.com)
形式:ハードカバー
This book is best used for viewing its selection of Master Drawings many of which are superb. However, its written text is filled with a multitude of factual errors and pseudo-intellectualizations. It should be noted that this book was not written by Hale; it was written by one of his students and lacks the quality of Hale's classic, "Drawing Lessons from the Great Masters." Instead, this book loses itself in unimportant, erroneous anatomical minutia which will baffle, confuse, frustrate and ultimatly demoralize the motivated reader. It greatly misses the mark in both clarity and presentation of important anatomical theory.
15 人中、14人の方が、｢このレビューが参考になった｣と投票しています。
5つ星のうち 4.0
Excellent content
2002/9/29
By Benjamin F Barker
- (Amazon.com)
形式:ペーパーバック
An excellent book on artistic anatomy. Reading this one book has taught me more than some figure drawing classes. A systematic deconstruction of how the masters of artistic anatomy have integrated their knowledge into some of the greatest drawings of all time. The book goes through the drawings of famous artists, categorized by the region of the body on which the drawings are focused, and attempts to explain how extensive knowledge of anatomy has been effectively applied. It touches on how these artists could create drawings which are more powerful than merely a photographic rendering of the model through their use of anatomy.
Unfortunately, the book is very cheaply bound. Entire leaves have detached themselves from the spine, though I have treated the book very well. My copy has turned into a stack of paper and scotch tape, wrapped loosely in its former cover. Despite that fact, I still consider it worth the purchase.
I have both this book and "Drawing Lessons from the Great Masters." Both are excellent books, but if you must only buy one, get this one. It is the better of the two.
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