Amazon.com essential recording
Santana's 1970 follow-up to their Woodstock-propelled smash '69 debut found leader Carlos Santana further expanding his San Francisco group's already broad musical boundaries. To wit: two hit singles that emanated from opposite ends of the spectrum--"Black Magic Woman," originally written and recorded by English blues-rock guitarist Peter Green and Fleetwood Mac, and New York Latin percussionist/dance music king Tito Puente's infectious "Oye Como Va." Tying blues, rock, and salsa together in one pancultural package,
Abraxas also featured such standout tracks as "Gypsy Queen" and "Singing Winds, Crying Beasts." The latter underscored the growing Eastern sensibilities of guitarist Santana.
--Billy Altman
From Amazon.co.uk
Santana's 1970 follow-up to their Woodstock-propelled smash '69 debut found leader Carlos Santana further expanding his San Francisco group's already broad musical boundaries. To wit: two hit singles that emanated from opposite ends of the spectrum--"Black Magic Woman", originally written and recorded by English blues-rock guitarist Peter Green and Fleetwood Mac, and New York Latin percussionist/dance music king Tito Puente's infectious "Oye Como Va". Tying blues, rock, and salsa together in one pan-cultural package,
Abraxas also featured such standout tracks as "Gypsy Queen", "Singing Winds", and "Crying Beasts". The latter two underscored the growing Eastern sensibilities of guitarist Santana.
--Billy Altman
