Konigsburg has painted the portrait of Eleanor of Aquitaine with the brushes of four observers: her priest, her mother-in-law, her jailer, and Eleanor herself. From each of these artists, we see a part of Eleanor's life, through their sometimes limited senses. The section told by Abbot Suger is full of color and music; the tale by the jailer, William the Marshall, is gray, matter of fact. Konigsburg's subtleties of characterization, use of language, and her ability to manipulate point of view contain incredible opportunities for teaching about writing and how writers work. Konigsburg stretches the minds of all who pick up this amazing book. The four tales are held together by an over-arching story: Eleanor and the story-tellers are in Heaven, awaiting the arrival of King Henry II, Eleanor's second husband. While they wait, they fill each other in about Eleanor's long life and influences.