英文版 ロボット - Loving the Machine [ハードカバー]

All of my life, I have been promised that the age of the robot is just around the corner. It seems like one of those things that is always in the immediate future, and always just out of reach, an eternal carrot that we keep moving towards, always one step ahead. Fifty years ago, they figured we would all be living with robots in our homes by now, doing domestic chores, entertaining us, educating us. Our plastic pal whose fun to be with!

"Loving the Machine" again makes this promise, and again I am inclined to believe it. Author Timothy Hornyak plays show and tell, taking you on a guided tour through robotics from the primitive first attempts to the modern marvels of Asimo and the semi-android Replee Q1expo. They really are stunning, and one can almost feel the fire of creativity and inspiration driving modern robotics research. The scientists are building robots out of passion, out of a real sense of discovery rather than commerce, and that is what always drives technology forward. All of the different fields are coming together, mixing software with hardware, sharing breakthroughs and triumphs that far outnumber failures and disappointments.

Ostensibly, "Loving the Machine" is also about Japan's relationship with the robot, and it is. Japan's culture of robots stretches back into its distant past, with the Karakuri automatons that are still wonders of ancient technology, unable to be replicated today. Whereas Western cultures have Superman, Japan has Mighty Atom, the robot superboy. Whereas the US has GI Joe, Japan has the super robots Gundam and Mazinger Z. Japan has nurtured a deep-seated love for the robot, and the whole country holds its collective breath waiting for the first truly intelligent robot to announce its own birthday. However, in attempting to contrast cultures, this is where the book loses its footing. The author makes much of The Terminator and the Replicants from "Blade Runner", stressing the West's fear of technology out of control, but never mentions R2-D2 and C-3PO from "Star Wars", Rosie the Robot Maid from "The Jetsons" Johnny 5 from the films "Short Circuit," Bender from "Futurama," or Isaac Asimov's heartbreaking hero from "The Bicentennial Man" There is not even a mention of how the fearsome Terminator returns for a second movie, this time as the hero saving a young boy. While not on the same level, the West has also long had a love affair with cute, friendly robots who are friends and companions rather than just functional machines.

I've been let down before, but "Loving the Machine" has given me a boost, returning me to the childhood where, when asked to draw a picture of what I thought life would be like in the year 2000, I drew a happy home complete with robot butler and flying car. The flying car may be out of the question, but there is at least still some hope that I might live to see the first truly intelligent robot announce its own birthday. Frankly, I can't wait.

Loving The Machine: The Art And Science Of Japanese Robots is a fascinating and informative tribute to Japanese popular culture and its love affair with humanoid robots ranging from anime's Astro Boy to automatons imagined in speculative fiction to have existed in the Edo period of Japanese history. In stark contrast to American movies portraying robots as ruthless, Terminator-style killing machines, Japanese cinema and television has a tradition of gentler robots that mimic human activities. Full-color photographs on every page illustrate this unique analysis of what Japanese culture celebrates robots, Japan's historical connections to robots, and what modern technology indicates the future holds. Loving The Machine is very highly recommended reading -- especially for modern Japanese culture buffs.

Background for Robotics Tsukuba [...] and CES 2011 booth, Robotics Tech Zone, [...
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A better subtitle would be "The Art and Culture of Japanese Robots," for there is little science in this book. Very artfully illustrated, Loving the Machine traces robotics in Japan from 16th century puppets through the comic book robot Mighty Atom to the most recent humanoid and android robots.

Loving the Machine is not about science; it is about a subculture. This subculture is that of the Japanese creators of comic book robots and their hardware descendents. Except when quoting large sales figures for robot pets and the pervasiveness of industrial robots, the author rarely steps outside this subculture. Hornyak wants to pursuade the reader that the Japanese public is far more accepting of robots than is the Western public. This may be true but this book does not succeed in making this case.

The value of this book to this reader is in its description of this fantasy/entertainment subculture. Knowledge of this subculture should make recognition of progress in its surrounding culture more easily recognizable.