- 【 講談社ストアはこちら 】 －累計750万部を突破した大人気コミック『宇宙兄弟』や、『のだめカンタービレ』や『ホタルノヒカリ』といった名作を次々と生み出した雑誌『Kiss』の20周年特集など今注目のタイトルや特集は講談社ストアへ。
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Though Japan today has become one of the world's most industrialized, mechanized, and computerized nations, it still boasts one of the world's richest and most fascinating ceramic traditions.
Two of the country's most remarkable styles of pottery are Shino and Oribe, both originating in ancient Mino Province (modern-day Gifu Prefecture) from the time of Japan's artistic "renaissance" in the late sixteenth century.
Oribe ware is one of the most startling and innovative expressions not only of this period but of all Japanese pottery. In a departure from the more refined tea ceremony utensils that represent the meditative aspect of the ceremony, Oribe ware has a more earthy feel, with its layering of naturally occurring colors: a piece might be made of red and white clay, with green glaze over the white portion, and line decorations done in iron over a coat of white slip on the red part. This ware is named for Furuta Oribe, who in his time was the undisputed master of the tea ceremony and who, it is said, commissioned certain kilns to make these pots after his own designs.
Likewise, the tea ceremony ware known as Shino is widely considered to have its own unparalleled kind of beauty. With its thick, white, feldspathic glaze and stylized but seemingly spontaneous decoration in iron underglaze, it has an unmistakable sense of softness and naturalness.
Both Shino and Oribe are still being made today, but in many cases it is the older examples that are most striking. Classic Stoneware of Japan brings together these early great pieces with important newer work, in 150 color photographs, and outlines each ware in informative essays - written by two noted authorities - on each tradition's history and techniques.
Classic Stoneware of Japan offers a comprehensive visual survey and a basic understanding of these traditions' glazes, processes, shapes and decoration. The reader comes away with a clear idea of the essence of these wares and an ability to instantly recognize either. It will be invaluable for anyone interested in pottery, design or art.
Classic Stoneware of Japan is the combined edition of two earlier volumes, Shino and Oribe, originally published independently in the series Famous Ceramics of Japan. This new, combined edition is a fascinating guide to these enduring and vital art forms.
Two of the country's most remarkable styles of pottery are Shino and Oribe, both originating in ancient Mino Province (modern-day Gifu Prefecture) from the time of Japan's artistic "renaissance" in the late sixteenth century.
Oribe ware is one of the most startling and innovative expressions not only of this period but of all Japanese pottery. In a departure from the more refined tea ceremony utensils that represent the meditative aspect of the ceremony, Oribe ware has a more earthy feel, with its layering of naturally occurring colors: a piece might be made of red and white clay, with green glaze over the white portion, and line decorations done in iron over a coat of white slip on the red part. This ware is named for Furuta Oribe, who in his time was the undisputed master of the tea ceremony and who, it is said, commissioned certain kilns to make these pots after his own designs.
Likewise, the tea ceremony ware known as Shino is widely considered to have its own unparalleled kind of beauty. With its thick, white, feldspathic glaze and stylized but seemingly spontaneous decoration in iron underglaze, it has an unmistakable sense of softness and naturalness.
Both Shino and Oribe are still being made today, but in many cases it is the older examples that are most striking. Classic Stoneware of Japan brings together these early great pieces with important newer work, in 150 color photographs, and outlines each ware in informative essays - written by two noted authorities - on each tradition's history and techniques.
Classic Stoneware of Japan offers a comprehensive visual survey and a basic understanding of these traditions' glazes, processes, shapes and decoration. The reader comes away with a clear idea of the essence of these wares and an ability to instantly recognize either. It will be invaluable for anyone interested in pottery, design or art.
Classic Stoneware of Japan is the combined edition of two earlier volumes, Shino and Oribe, originally published independently in the series Famous Ceramics of Japan. This new, combined edition is a fascinating guide to these enduring and vital art forms.
内容（「MARC」データベースより）
桃山時代、白磁とは違う日本独特のやわらかい志野の白が生まれ、今日でも斬新な織部のデザインが誕生した。150点におよぶカラー図版とわかりやすい解説で、日本を代表するやきものの魅力を紹介する。本文は英語。
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私は京焼の祖・仁清の「色絵藤花文茶壷」（MOA美術館蔵）を見て、焼き上がりと見紛うばかりの美しさに惹かれて陶器が好きになり、志野・織部・備前焼を中心に勉強させていただいております。
美術書のみでは聊か物足りなさを感じ、美術館や古美術商、陶器のコレクター宅へ足を運ぶなどして本物を見る眼を養うために日々勉強しています。
美術書のみでは聊か物足りなさを感じ、美術館や古美術商、陶器のコレクター宅へ足を運ぶなどして本物を見る眼を養うために日々勉強しています。
なにぶん、素人故に知識が乏しく、見る目をもっと養わなければいけないと思っている時に本書と出会い、陶器に対する新たな眼が開けてきたように感じております。陶器の専門書は数多くあり、高価で手が届きにくいものが数多くありますが、本書は初心者でも分かりやすいのではないかと大変ありがたく感じております。
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