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| 1. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Drei Stcklein: 1. Nicht schnell, mit Innigkeit | |||
| 2. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Drei Stcklein: 2. Sehr rasch | |||
| 3. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Drei Stcklein: 3. Frisch | |||
| 4. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Fnf Albumbltter: 1. Ziemlich langsam | |||
| 5. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Fnf Albumbltter: 2. Schnell | |||
| 6. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Fnf Albumbltter: 3. Ziemlich langsam, sehr gesangvoll | |||
| 7. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Fnf Albumbltter: 4. Sehr langsam | |||
| 8. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: Fnf Albumbltter: 5. Langsam | |||
| 9. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 9. Novelette. Lebhaft | |||
| 10. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 10. Prludium. Energisch | |||
| 11. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 11. Marsch. Sehr getragen | |||
| 12. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 12. Abendmusik. Im Menuetttempo | |||
| 13. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 13. Scherzo. Lebhaft | |||
| 14. Bunte Bltter (14) (Colored Leaves) for piano, Op. 99: No. 14. Geschwindmarsch. Sehr markiert | |||
| 15. Pictures at an Exhibition (Kartinki s vstavski), for piano: Promenade | |||
| 16. Pictures at an Exhibition (Kartinki s vstavski), for piano: 2. Gnomus | |||
| 17. Pictures at an Exhibition (Kartinki s vstavski), for piano: Promenade | |||
| 18. Pictures at an Exhibition (Kartinki s vstavski), for piano: 2. Il vecchio castello | |||
| 19. Pictures at an Exhibition (Kartinki s vstavski), for piano: Promenade | |||
| 20. Pictures at an Exhibition (Kartinki s v ̄stavski), for piano: 3. Tuileries (Dispute d'enfants apr¨s jeux) | |||
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Indeed, Richter's only competition in these two pieces is himself. These 1968 performances, taped by the BBC, in front of an audience in London's Kingsway Hall, are both better than the pianist's studio recordings of the same pieces. (Richter's studio version of Pictures was recorded in Moscow in 1958 and is available on BMG; his studio version of the Schumann dates from a 1971 session in Salzburg and is available on an Olympia disc.) Wonderful as this BBC performance of the Mussorgsky is, listeners new to Richter should bypass it for another of the pianist's live accounts: the unsurpassable performance from a 1958 recital in Sofia, Bulgaria (Philips). --Stephen Wigler
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