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1. Tuning In (PROLOGUE)
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2. Body Fluid (first movement) (THE BODY SUITE (as for the physical contact))
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3. Body Secret (THE BODY SUITE (as for the physical contact))
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4. Body Fluid (second movement) (THE BODY SUITE (as for the physical contact))
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5. Body Chop (THE BODY SUITE (as for the physical contact))
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6. Bonjour Mademoiselle Humanoide (first movement) (BONJOUR MADEMOISELLE HUMANOIDE (as for the
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7. La Danse Excentrique (BONJOUR MADEMOISELLE HUMANOIDE (as for the emotional contact))
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8. Premieres Amours (BONJOUR MADEMOISELLE HUMANOIDE (as for the emotional contact))
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9. Bonjour Mademoiselle Humanoide (second movement) (BONJOUR MADEMOISELLE HUMANOIDE (as for the
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10. Ding Dong (NAUGHTY SCIENCE (as for the rational contact))
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11. Naughty Science (first movement) (NAUGHTY SCIENCE (as for the rational contact))
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12. N2O (inhale) (first movement) (NAUGHTY SCIENCE (as for the rational contact))
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13. Naughty Science (second movement) (NAUGHTY SCIENCE (as for the rational contact))
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14. Ding Dong Chop (NAUGHTY SCIENCE (as for the rational contact))
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15. Acid (chemistry) (NAUGHTY SCIENCE (as for the rational contact))
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16. In Cosmological Seas (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical contact))
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17. Miss Eternity (first movement) (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical contact))
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18. Geodesic (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical contact))
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19. Miss Eternity (second movement) (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical contact))
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20. Miss Eternity (third movement) (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical contact))
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21. Miss Eternity (fourth,geodesic movement) (5.17 MINUTES WITH MISS ETERNITY (as for the metaphysical
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22. N2O (exhale) (second movement) (FOREIGN TONGUES (as for the spiritual contact))
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23. N2O (elevate) (third movement) (FOREIGN TONGUES (as for the spiritual contact))
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24. N2O (speak) (fourth movement) (FOREIGN TONGUES (as for the spiritual contact))
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25. Foreign Tongues (first movement) (FOREIGN TONGUES (as for the spiritual contact))
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26. Foreign Tongues (back in time) (second movement) (FOREIGN TONGUES (as for the spiritual contact))
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27. Close Encounter (approaching) (first movement) (CLOSE ENCOUNTER (as for the musical contact))
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28. Close Encounter (second movement) (CLOSE ENCOUNTER (as for the musical contact))
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29. Close Encounter (third movement) (CLOSE ENCOUNTER (as for the musical contact))
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30. Close Encounter (fourth movement) (CLOSE ENCOUNTER (as for the musical contact))
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31. Close Encounter (fifth movement) (CLOSE ENCOUNTER (as for the musical contact))
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32. Close Encounter (leaving) (sixth movement) (CLOSE ENCOUNTER (as for the musical contact))
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33. Kosmischer Atem (CLOSE ENCOUNTER (as for the musical contact))
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34. Cosmoparticlefunk (first movement) (CLOSE ENCOUNTER (as for the musical contact))
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35. Cosmoparticlefunk (second movement) (CLOSE ENCOUNTER (as for the musical contact))
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36. Alien’s Delight (first movement) (CLOSE ENCOUNTER (as for the musical contact))
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37. Lecon d’amour (CLOSE ENCOUNTER (as for the musical contact))
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38. Alien’s Delight (second movement) (CLOSE ENCOUNTER (as for the musical contact))
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39. Body Fluid (third movement) (THE BODY SUITE II (as for the last physical contact))
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40. Body Fluid (fourth movement) (THE BODY SUITE II (as for the last physical contact))
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41. Tuning Out (EPILOGUE)
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