To look at the package (brand-identity) for this film you could well be forgiven for thinking it has mixed echoes of various generations past, a fair m'lange of design styles and typefaces are all swimming around. Certainly it has a clear and definite design-style, chosen to create an impression of being a period piece, think: Catch me if You Can, Down with Love or the Pink Panther and in terms of design nomenclature you would be in the right ballpark. Funny then, that this film is set in NINETEEN NINETY-TWO! Clearly the costume designer, productions designer, make-up artist and set designer were absent from a few crucial meetings somewhere along the line because the whole balance of the film is way out of kilt and abound with horrible mixed-metaphors and blatant inaccuracies. Couple that to a low-budget cast, uninspiring performances all-round, drab dialogue and you get what you get, this.
To me, this film has no real defining merit, there is nothing to demonstrate why the studio chose to adopt this screenplay over countless thousands of others they had access to. This film really has the feeling that the studio wanted to have a Soderbergh film on its books and he (being busy) was only able to fit this in between other projects; real projects which he was focused on and where he was in the zone.
To summate: this film should be consigned to the B list of film where it belongs. If you see it advertised on television and you have time to kill, by all means watch it. However, in terms of a serious purchase or rental with your hard-earned, I wouldn't.