ぼくのプレミア・ライフ (新潮文庫) [文庫]

   現在イギリスで最も人気のある作家といえば、『トレインスポッティング』のアーヴィン・ウェルシュと『Fever Pitch』（邦題『ぼくのプレミア・ライフ』）を著したニック・ホーンビィの2人といっていいだろう。

   ホーンビィは1992年に処女作として本書を発表し、本国イギリスで100万部を超す大ベストセラーになった。日本では2作目『High Fidelity』の邦訳『ハイ・フィデリティ』が、先に出版された。察するに、たとえ本国で大ベストセラーであっても、邦訳の編集担当者が日本で本書を先に出すのを躊躇（ちゅうちょ）したのだろう。イングランド・プレミアリーグ、アーセナル狂の男がつづった日記を、はたして日本人が理解できるのだろうか、といういう懸念があったに違いない。

   とにかく生活の中心はアーセナル、寝ても覚めてもアーセナル。ホームでの試合がある日はどんな犠牲を払ってでもハイベリーに試合を見に行くことこそ、アーセナルへの忠誠と信じて疑わない。アーセナルにかける愛をひたすら書き上げている。イギリスでは、「生涯のうち、妻を替えることはできても、応援するフットボールチームを替えることはできない」といわれているそうだ。本書を読むとそれもうなずける。

   最近プレミアリーグで外国人枠が緩和されたため、選手の中にはイギリス人が少なくなり、議論の的となると同時に、ファンのチーム離れが起こったと聞く。この状況についてニックがどう考えているか知りたい。（鬼杖 猛）

Chronicled from the perspective of a fanatical youngster, through disillusioned adolescence, to an adult "who should know better", the author - an Arsenal fan - examines the absurdities and traumas of everyday life and football. Combines anecdote with a wider commentary on the state of the game. --このテキストは、 ペーパーバック 版に関連付けられています。

"Fever Pitch" is the bitter-sweet autobiography which vividly accounts the elation and utter despair of a love affair with a particular football team. A phenomenal bestseller and William Hill Sports Book of the Year, this captures the truth and absurdities of the obsessed Arsenal fan's mind, and whether you are interested in football or not, this is a sophisticated study of masculinity, class, identity, growing up, loyalty, depression and joy. --このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。

「なぜなんだ、アーセナル!」と頭を抱えて四半世紀。熱病にとりつかれたサポーターの人生はかくも辛い。すべてのスケジュールは試合日程次第。頭のなかでは自分とチームとがこんがらがっている。人生設計なんて立てられたもんじゃない。そんなひどい生活だったけど、ぼくには見えてきたことがあった―。英国で百万部を突破し、WHスポーツ・ブック賞を獲得した鮮烈なデビュー作。アーセナルにとりつかれてミリオンセラー作家となった男の魂の記録。

In the States, Nick Hornby is best know as the author of High Fidelity and About a Boy, two wickedly funny novels about being thirtysomething and going nowhere fast. In Britain he is revered for his status as a fanatical football writer (sorry, fanatical soccer writer), owing to Fever Pitch--which is both an autobiography and a footballing Bible rolled into one. Hornby pinpoints 1968 as his formative year--the year he turned 11, the year his parents separated, and the year his father first took him to watch Arsenal play. The author quickly moved "way beyond fandom" into an extreme obsession that has dominated his life, loves, and relationships. His father had initially hoped that Saturday afternoon matches would draw the two closer together, but instead Hornby became completely besotted with the game at the expense of any conversation: "Football may have provided us with a new medium through which we could communicate, but that was not to say that we used it, or what we chose to say was necessarily positive." Girlfriends also played second fiddle to one ball and 11 men. He fantasizes that even if a girlfriend "went into labor at an impossible moment" he would not be able to help out until after the final whistle.

Fever Pitch is not a typical memoir--there are no chapters, just a series of match reports falling into three time frames (childhood, young adulthood, manhood). While watching the May 2, 1972, Reading v. Arsenal match, it became embarrassingly obvious to the then 15-year-old that his white, suburban, middle-class roots made him a wimp with no sense of identity: "Yorkshire men, Lancastrians, Scots, the Irish, blacks, the rich, the poor, even Americans and Australians have something they can sit in pubs and bars and weep about." But a boy from Maidenhead could only dream of coming from a place with "its own tube station and West Indian community and terrible, insoluble social problems."

Fever Pitch reveals the very special intricacies of British football, which readers new to the game will find astonishing, and which Hornby presents with remarkable humor and honesty--the "unique" chants sung at matches, the cold rain-soaked terraces, giant cans of warm beer, the trains known as football specials carrying fans to and from matches in prisonlike conditions, bottles smashing on the tracks, thousands of policemen waiting in anticipation for the cargo of hooligans. The sport and one team in particular have crept into every aspect of Hornby's life--making him see the world through Arsenal-tinted spectacles. --Naomi Gesinger
--このテキストは、 ペーパーバック 版に関連付けられています。

Fever Pitch is both an autobiography and a footballing bible rolled into one. Nick Hornby pinpoints 1968 as his formative year--the year he turned 11, the year his parents separated, and the year his father first took him to watch Arsenal play. The author quickly moved "way beyond fandom" into an extreme obsession that has dominated his life, loves, and relationships. His father had initially hoped that Saturday afternoon matches would draw the two closer together, but instead Hornby became completely besotted with the game at the expense of any conversation: "Football may have provided us with a new medium through which we could communicate, but that was not to say that we used it, or what we chose to say was necessarily positive." Girlfriends also played second fiddle to one ball and 11 men. He fantasises that even if a girlfriend "went into labour at an impossible moment" he would not be able to help out until after the final whistle. Fever Pitch is not a typical memoir--there are no chapters, just a series of match reports falling into three time frames (childhood, young adulthood, manhood). While watching the May 2, 1972, Reading v Arsenal match, it became embarrassingly obvious to the then 15-year-old that his white, suburban, middle-class roots made him a wimp with no sense of identity: "Yorkshire men, Lancastrians, Scots, the Irish, blacks, the rich, the poor, even Americans and Australians have something they can sit in pubs and bars and weep about." But a boy from Maidenhead could only dream of coming from a place with "its own tube station and West Indian community and terrible, insoluble social problems." Fever Pitch reveals the very special intricacies of British football, which readers new to the game will find astonishing, and which Hornby presents with remarkable humour and honesty--the "unique" chants sung at matches, the cold rain- soaked terraces, giant cans of warm beer, the trains known as football specials carrying fans to and from matches in prison-like conditions, bottles smashing on the tracks, thousands of police officers waiting in anticipation for the cargo of hooligans. The sport and one team in particular have crept into every aspect of Hornby's life--making him see the world through Arsenal-tinted spectacles. --Naomi Gesinger --このテキストは、 ペーパーバック 版に関連付けられています。

Brought to print to take advantage of America's presumed fascination with the '94 World Cup (the first ever held here), Fever Pitch is a 24-year obsessional diary of English club football (soccer, to us Americans) games Hornby has witnessed and the way these games have become inextricable from his personal life. Hornby is the kind of fanatic who merely shrugs about the "tyranny" the sport exerts over his life--the mumbled excuses he must give at every missed christening or birthday party as a result of a schedule conflict. "Sometimes hurting someone," he writes, "is unavoidable." These occasions tend to bring out "disappointment and tired impatience" in his friends and family, but it is when he is exposed as a "worthless, shallow worm" that the similarly stricken reader can relate to the high costs of caring deeply about a game that means nothing to one's more well-adjusted friends. These moments are fleeting, however. The book has not been tailored for American audiences, so readers lacking a knowledge of English club football's rules, traditions, history and players will be left completely in the dark by Hornby's obscure references. Unfortunately, he has neither Roger Angell's ability to take us inside the game nor the pathos of Frederick Exley's brilliantly disturbed autobiographical trilogy. Though Hornby does show flashes of real humor, Fever Pitch features mainly pedestrian insights on life and sport, and then it's on to the next game--the equivalent, for an American reader, of a nil-nil tie. Author appearances.
Copyright 1994 Reed Business Information, Inc. --このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。

Nick Hornby was born in 1957 and worked as a teacher before becoming a full-time writer. His books are FEVER PITCH (1992), HIGH FIDELITY (1995) and ABOUT A BOY (1998). In 1999 he won an E. M. Forster award from the American Academy of Arts and Letters. He lives in north London. --このテキストは、 ペーパーバック 版に関連付けられています。